After further listening, I might actually have to declare Toumani Diabate’s new solo kora CD “Mande Variations” POSSIBLY THE BEST CD I HAVE EVER HEARD!

First, let’s discuss the stunning virtuosity of this album. As far as rhythmic complexity and phrasing, the only music I’ve heard that comes close in sophistication is Indian Classical music (which I want to learn more about). Toumani is often playing 3 or more different rhythms at once with his 21 strings, using his thumb to pluck out the bass, and his other fingers to strum chords and play soloistic lines in the upper registers of the instrument. Mixed in with this rhythmic genius are plenty of rubato sections that let the music breathe, as well as bring it extra life and vitality. Frankly, I don’t know how you get to this point. Toumani does say in the liner notes that even as a child he practiced all day, everyday, even as his friends were outside playing.

But let’s put all that aside. After all, virtuosity doesn’t mean anything unless it’s put to good use. One of the major lessons a conservatory training teaches (whether it intends to or not) is that practicing technique all day does not bring you that much closer to discovering the music you have to express, which is deeply personal and based on your own experience of life. This music sounds to me like a deeply spiritual expression of life. It is some of the deepest music I have heard. You cannot ask for more than that.